Narrative force is a key element in Those Angry Days: Roosevelt, Lindbergh, and America's Fight Over World
War II, 1939-1941 (Random House, 2013), Lynne Olson’s account of the national
debate over intervening or remaining isolated in the early days of the Second
World War. Representing the two sides of
the debate are Franklin D. Roosevelt and Charles Lindbergh. Olson traces in interesting detail the
development of the opposing sides of the debate from the 1920s on, describing
Roosevelt’s rise to power and Lindbergh’s shift from American aviation hero to
increasingly controversial German apologist and isolationist spokesman. The challenge for the writer of a book such
as this is that the facts are already there.
They can’t be changed to suit the needs of the story. Of course, the writer can bend and burnish elements
of the story so as to give it color, but only within bounds, and he or she
cannot change the facts. A novelist can fabricate
events. A documentary writer can only
select and edit them. Olson’s challenge
is to take preset events and people and to bring out their interest, if it is
already there, or to find within them what makes them relevant to the present
day. Olson is an excellent nonfictional
narrativist. She writes well, evokes her
characters effectively, and clearly explains the issues that made those days so
angry.
The parallels in this book between America in the pre-World
War II 1930s and the present day are striking.
The debate over involvement in WWII was fierce, furious, and sometimes
nasty. Lindbergh comes to us as a not
especially intelligent and sometimes clueless articulator of viewpoints that
are, in retrospect, contemptible. But
there were many Americans, including leading members of Congress, who agreed
with him. Roosevelt comes across at
moments as a scheming politician, telling the citizenry one thing with the
intent of doing something else. While he
was assuring voters that he had no intention of getting America involved in the
Second World War, he was in fact looking for ways to provide support, including
military support, to the European allies, especially the British. He was a consummate Machiavellian. He was also, at times, an indecisive procrastinator
unable to recover from judicial and legislative setbacks suffered during his
second term. In the end, following Pearl
Harbor, he emerged as the great wartime leader we remember today, while
Lindbergh gradually withdrew from public life.
Lindberg was, according to Olson, a controlling father and
husband. He wanted to mold his wife and
children in his own image, though he often went months without seeing them. He couldn’t understand why some of his speeches
against interventionism provoked outrage and threats against his family. Olson identifies a growing rift, personally
and politically, between Lindbergh and his wife, Anne Morrow, a gifted and
talented writer who did what her husband wanted even as she had misgivings
about his views and wrote in one of her novels about an ambitious young woman
struggling against a domineering husband.
Olson tries to present Morrow sympathetically, but in some of her
writings she clearly sought to defend and explain the attitudes her husband was
expressing openly.
In the end, when he died, Lindbergh left behind in addition
to his own children with Morrow seven children from relationships with three other
women. They didn’t learn their father’s
identity until decades after his death.
His arrogance, egotism, and political wrongheadedness make him the least
sympathetic of the people in this book.
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