In this 2013 film big monsters rise out of a Pacific trench
which is really a “portal” to another universe and inflict carnage on various
famous coastal cities such as Los Angeles, where most of the action takes
place. The script is not entirely
horrible, with one iconic line that has already entered into the Valhalla of
famous movie lines (“Today we are cancelling the apocalypse.”) The acting is serviceable. The production values are strong, and with
one major exception the special effects are fine. The problem is the monsters. They seem to come straight out of a 1950s-era
Japanese Godzilla film, men in rubber suits, lumbering around and swishing
their various rubber appendages back and forth against people, bridges,
buildings, and the giant robots the Japanese and Americans build to oppose
them. The robots also are giant costumes
with men in them, but they are more convincing, insofar as giant robots can be
convincing. The story takes place ten
years after the first robot attack. The
allies think they have permanently held them at bay, but boy are they
wrong. Those alien space monsters start
spewing from the Pacific trench portal at increasingly alarming rates, and boy
are they big monsters! But the good guys
come up with a plan, and in a last ditch effort they carry it off, though not
without sacrificing two real heroes in the process. Humanity is saved, at least for now. The fun of this film is its silliness, and
the serious way in which it pursues that silliness. Turn it up loud, sit close and revel in the
explosions and the robotic groans of consternation and the gradual momentum
towards that final kiss between the man and woman who can’t stand each other
but who have to be partners and who, what do you know, surprise, surprise,
actually have the hots for each other.
Go robots! Death to the alien
space monsters from the portal to an alternative universe deep in the trench on
the edge of the Pacific Rim! Guillermo del Toro knows the Japanese monster
movie genre well, and this is one of the best examples of the category.
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