Dorothy
Parker’s subject is New York and its social classes. Many of her characters are
from a vaguely defined middle class.
They’re aware of the upper class but also aware of their inability to
rise economically or socially. They are partially sensible people who lead
dreary lives. The women are defined by dissatisfaction with their station,
their marriages, their futures. In one story a young woman in her late 20s who
after a socially active period of years meets a man and after six weeks marries
him. He is a salesman and a heavy drinker, which she sees no problem with. Theirs
is a marriage of convenience: she wants to get married and so does he. But he
soon grows tired of her, and she finds friends elsewhere. She takes to drink. When
he leaves her, she becomes the lover of a man whom she met at a social
gathering in a neighbor's apartment. He later abandons her, and she has a
series of dreary meaningless relationships with men and finally finds herself
in her 40s exhausted and depressed. She tries to commit suicide but fails.
Parker sees such women as morally empty, as spiritually bankrupt (she would
probably hate that phrase). Another story focuses on a man in his late 40s who
seduces a young woman in her early 20s who works in his office. He is married
and has children. She is, as the story makes out, a virgin who's had no
relationships with anyone. Because she has no experience, she never realizes
his clumsiness or his apparent paunch and succumbs to his entreaties. She becomes
pregnant, and he sees this as a horrible inconvenience and an insult to
himself. Another secretary in the office arranges an abortion, and the young
woman goes home to her family. The man is totally insensible to her feelings
and her situation. It's pretty clear that this event for her has been a
horrible episode. He is glad to have her out of his life. He goes home to his
family and discovers that his wife has allowed his son and daughter to bring a
young dog into their house. He is open to the idea of his children having a pet,
but when he discovers that the dog is a female, he's enraged. He remonstrates
with his wife and tells her that after the children go to bed he will simply
put the animal out the door. The next day they will tell the children it ran
away. His attitude towards the female dog is exactly his attitude towards the
young woman whom he got pregnant. It's a rather obvious parallel on the one
hand, but it's vicious accuracy works well.
These
stories are well told and skillfully written. Some of them go on too long. The
characters are dry and two-dimensional for the most part, and partially I think
this is Parker’s intent. But it may also be a matter of her disposition as a writer.
One senses that she hates the people she writes about, that she sees them as deserving
targets of sarcasm and irony rather than as human beings.
The
audiobooks edition of the Selected Stories
of Dorothy Parker (2018) is narrated by Elaine Stritch. The combination of
Stritch's caustic often sarcastic voice with Parker's satiric, often sarcastic
tone is a problem. It's difficult to separate Parker from Stritch. On the other
hand, if you don't worry about that separation, Elaine Stritch reads the
stories well enough.
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