Lucia Berlin, in the stories collected in A Manual for
Cleaning Women: Selected Stories (2015), shows a great talent for description. It’s not merely the details
she notices. It's how she presents them, the clarity of her descriptions, the
beauty of her sentences. She's a good writer. Her stories are sometimes as
brief as a couple of pages and sometimes much longer. Many if not most of them
are anecdotes rather than fully developed narratives. Her method is to
introduce a situation, develop one or more characters, and end the story.
Usually there's no real plot. In some of her stories the narrative develops
through emotional resonances and subtle changes in attitude. Some stories end
with a kind of twist, a form of epiphany, that illuminates the situation or the
people Berlin describes. She returns often to the same characters and
situations, in part because she is drawing from the events of her own life.
An underlying motif in some of her stories is the
approach of Berlin’s sister towards death from cancer. A group of stories are
set in Mexico or South America, where Berlin lived for periods of her childhood
and adult life. Others occur in Southern California or northern Colorado. They
span a time in Berlin's life from her 20s until just before her death in her
late 60s. Most of her main characters are women, although at least one story
has a male protagonist. Many of the characters are recovering addicts or
alcoholics, or at least they are recovering from failures in their personal
lives. For the most part the stories seem to be autobiographical even when
Berlin goes to some lengths to camouflage the characters. There is a novelty to
the stories in their nuanced treatment of people and difficult situations and
problematic lives. Because Berlin often reuses characters or situations, after
a time the stories blur together.
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