Almost by chance, Beck Dorey-Stein
was offered a position as stenographer in the Obama White House in 2012. Stenographers have a basic assignment: record
every word spoken by the president and type up transcripts of the recordings. One or more stenographers travel everywhere
the President goes, whether across town or the other side of the world. In the White House staff hierarchy, they are
close to the bottom. But because their
basic job is to observe, they are present during the most important, and
unimportant, events of the presidency.
Beck’s memoir From the Corner of the Oval: A Memoir (2018)
recounts her experiences as a White House stenographer. She is hardly objective. She is dazzled by the position she holds, by
the people she works for and with. Obama
is a heroic figure to her. She considers
herself an observer to history in the making.
We don’t learn that much about
the Obama administration. We do learn a
great deal about Dorey-Stein: her relationships, her hopes to be a writer, her
family, her nervous anxiety, her susceptibility to histrionics. To show respect and admiration for people she
works with, she gives them copies of what she has written about them. She often
seems barely able to keep going, and she frequently loses her composure,
especially when her personal life falters.
She has a prolonged relationship with a senior staff member (she changes
his name), an incontrovertible jerk, but her love for him (if love it is) causes her repeatedly to overlook his flaws and shortcomings and the sorry
ways he treats her. That on-and-off
relationship is really what this memoir is about.
The writer is twenty-six when
she takes the job, and past thirty when she leaves it (she works for a few
months into the Trump administration, and she doesn’t reveal the circumstances
under which she resigned or was fired). Her memoir is narcissistic, self-infatuated,
and shallow. She writes well enough, but
has little of substance to say. I would
be surprised by the fact that this memoir was published, but maybe her casual
friendship with New Yorker editor David
Remnick, who encouraged her to write, and other connections she made in the White House, had something to do with it. I don’t recommend the
memoir.
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