When I start reading something
by William Styron, I am stricken with the same surprised amazement I feel when
I encounter writing by Philip Roth or Don DeLillo or Joan Didion or William
Faulkner. The shock of style, of a
distinctive, idiosyncratic, enveloping style of writing that invests the
meaning and events of the piece with significance, artistry, and the author’s personality. This is the feeling that came to me in the
first few paragraphs of Styron’s short novel The Long March (1956).
The novel begins in a North
Carolina military encampment of Marine reservists who have been called up for
duty seven years after the end of World War II.
The Korean War is the reason they’ve been mustered. Two major events
stand at the center of the novel: an accidental pair of explosions that kill
eight reservists and a 36-mile march called for by a colonel who wants to
enforce the rigor of his reservist Marines.
Most of the reservists have been called to duty from the middle of their
domestic lives, they’re approaching middle age, they have families and jobs,
and their plans don’t include a return to service.
The main character is a Marine
captain named Culver and another captain named Mannix whom he’s become friends
with in their six weeks of reserve duty. One point of the novel is to consider skeptically
how Marines are always supposed to be Marines, even if they have been
decommissioned for seven years. When
called to duty from private lives where they were free to set their own course,
they are now expected to submit to authority and accept their place as integers
in a complex equation of soldiers and machines and military hierarchies.
Culver and Mannix see themselves
as individuals. They chafe in different ways against the reimposition of
authority. Culver comes to realize that
to the colonel in command the reservists are just cogs in a machine. The men who died in the explosions were
unfortunate casualties. What is
important to the colonel is his ability to impose his will, to burnish his
reputation, to display his ability to move large groups of men in one direction
or another, in a grueling and pointless march.
Their individual lives are of no importance.
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