At the beginning of the eighth episode of Twin Peaks: The Return, the evil twin of
Agent Cooper is driving down the freeway in the dark along with a young
accomplice named Ray whom he has just broken out of prison. As is true of many
parts of Twin Peaks, especially the
revived version, certain scenes take an inordinately long time. In the dark,
with the roadside barely illuminated by the headlights of the car, Agent Cooper
drives and drives and drives. After a while he exits the expressway on to what
appears to be a state highway. Then he leaves the state highway and turns onto
a single-lane road that soon turns into a dirt road. Agent Cooper tells Ray
that he needs certain information from him. Ray tells Cooper that he will have
to pay for it. Agent Cooper pulls the car to a stop and gets out to relieve
himself. Ray gets out of the car, comes towards Cooper with a pistol, and begins
shooting. Cooper falls over dead. Bizarre wraith-like phantoms appear out of
the darkness and begin touching and waving their hands back and forth over the
body. The terrified Ray gets into the car and drives away. Agent Cooper comes
back to life.
We then move to July 16, 1945, in the New Mexico desert and
the occasion of the first atomic bomb test. The bomb detonates, and the camera
moves closer and closer to the blast, approaching the mushroom cloud and finally
entering it. We see turmoil and turbulence and, apparently, molecules racing
back and forth. Occasionally a form seems about to take shape but it never does.
This goes on for quite a while. Next, we move to a scene outside a convenience
store in 1956. A teenage boy and a 14- or 15-year-old girl are standing
together outside a convenience store where they have enjoyed each other's
company. He walks her to her house, and this again takes quite a while. He asks
if he can kiss her good night. She's hesitant at first, but finally agrees, and
they briefly kiss. It’s a sappily innocent scene. Next, we shift to the middle
of the desert where what appears to be a pebble turns out to be an egg that
hatches into a creature that appears to be half-cockroach and half-lizard. The
creature crawls across the desert floor. A strange man who has descended out of
the clouds invades a radio station and, after killing the receptionist and
before killing the DJ, broadcasts a bizarre message. Everyone who hears it loses
consciousness. Finally, the creature arrives at the house of the girl, who is
lying on her bed listening to music. She loses consciousness as she hears the radio
message. While she sleeps, the creature crawls through her window, across the
floor and onto her bed, and into her mouth. She swallows.
These events take up about half the episode. I've left a lot
out, especially a scene in a strange antique room with an old, overly made-up
woman and her Lurch-like servant. He
walks into another room and begins to levitate and emits glowing material from
his mouth. And, oh yes, Laura Palmer's face, along with the face of the demon
Bob (so important to the original series), also plays into this sequence.
I think the whole point of these scenes is to illustrate Bob’s
origins.
I am a fan of Twin
Peaks. I intend to watch every remaining episode. I greatly admired David
Lynch's film Blue Velvet. Wild at Heart was good. I did not care for Eraser Head, or Inland Empire, or Mulholland
Drive. I think what we see in Episode 8 is what happens when one has insufficient
content to fill 17 episodes. In the end, Twin
Peaks: The Return may all make sense, and I'll have to eat my words. (Just
as the girl had to eat that creature). Some may believe that what we're given
in Episode 8 is the vision of a true genius. I think it’s a failure of imagination.
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