The interest of Black Hole Blues and other Songs from Outer Space, by Janna Levin (Bodley Head, 2016), comes
not from the discussion of gravitational waves and colliding black holes but
from the drama of colliding human egos.
I’ve sat on academic committees for forty years, in one role or another,
and have always been disturbed by how inefficiently they function, or
dysfunction. Intelligent people with
good ideas don’t always work well together.
The problem is not characteristic of the academic world alone—based on
what I’ve read about research and management and problem solving in other walks
of life, it is endemic and probably an inherent aspect of the human condition. Black
Hole Blues chronicles the history of the scientists who came together in
uneasy collaboration to conceptualize and develop the technology that made
possible the detection of gravitational waves for the first time in September of
2015. Levin examines each of the major
scientists in turn, especially Rai Weiss, Kip Thorne, Ron Devers.
The history of the development of LIGO (Laser Interferometer
Gravitational-Wave Observatory) is a fifty-year history of dysfunction,
ambition, vision, and hard work--of gradual and stuttering progress towards
developing a concept, building the first devices, convincing others (university
administrators, the National Science Foundation, Congress) to fund it,
designing and building and rebuilding the devices that made the final
detection. Levin explains, briefly, the
science surrounding gravitational waves and laser interferometry, but her focus
mainly falls on the human drama of LIGO—those of us interested in academic gossip
and university intrigue will appreciate this aspect of the book. Levin makes clear her belief in the
importance of LIGO and gravitational wave detections. She explains concepts clearly—she’s a
physicist at Barnard College of Columbia University, so she understands them.
But the book falters in conveying this importance to the reader in a convincing
way.
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